Alumna Receives MacArthur “Genius” Grant

Elizabeth Turk ’94 has been called a genius for her ability to make marble look featherweight, but now she has actually earned the title as a 2010 MacArthur Fellow. Turk, who received an MFA from MICA’s Rinehart School of Sculpture, was recognized with a $500,000 “genius” grant for her elegant marble sculptures.

In Turk’s installation series The Collars, hefty blocks of 400- pound marble are transformed into 21 delicate sculptures. In her hands, a traditionally heavy and finicky medium is reduced to a weightless and almost skeletal level of intricacy.

Defying easy categorization, Turk’s Collars recall elements from the natural world—skeletons, spider webs, and shark’s teeth—as well as Elizabethan fashion and antique lace patterns. “With these and other visually arresting feats of precision, Turk is pushing the physical limits of her material and reviving a classical medium for contemporary artistic exploration,” the MacArthur Foundation said in an announcement.

The work is labor-intensive and often leaves little room for error. “That’s the intriguing part. You have to think about gravity all the time,” Turk said. “If you make a mistake, it breaks. You can’t create some sort of concept that says, ‘Oh yeah, that was really about some esoteric thing.’ It just breaks.”

Turk received a BA in international relations from Scripps College in California and went on to become a lobbyist before overhauling her career and attending MICA. Graduate school at MICA, she said, gave her the unfettered freedom to pursue her own ideas. “MICA taught me to ‘figure it out on your own,’ just like an art career,” she said. “It is a very individual and, at times, tough path.” Much of Turk’s career has been marked by an interest in a variety of mediums, including wax, clay, bronze, and porcelain, as well as photography and video.

But the demands of working with marble were part of what drew her to the medium. “There is an incredible challenge to it,” she said. “Stone carries the narratives of past cultures. It is a global language. This legacy is inspiring, yet to find a unique and relevant voice with the material is demanding.” “My hope is that I can live up to the bar that’s now placed in front of me, and I think that’s really exciting,” she said. Turk anticipates her art will continue to focus on “the contemplation of human work and nature’s work and how the two meet.”

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