Overlapping black circles of varying opacity and texture on a white background. + Enlarge
Spirit Meets The Skin 2021 Acrylic and homemade bone black, charcoal, and ash ink on cradled board 16 x 20"
Overlapping black circles of varying opacity and texture on a white background. + Enlarge
Spirit Meets The Skin detail 2021 Acrylic and homemade bone black, charcoal, and ash ink on cradled board 16 x 20"
Three square paintings with a different color circle in each: green, violet, and yellow. Inside each circle is abstract mark making and the surface of the wood panel showing through. Each piece is half-veiled in an iridescent paint that corresponds with i + Enlarge
Sunbeam On My Back I, II, III (triptych) 2020 Acrylic on Cradled Board 5 x 5" each
A red circle on a square substrate. Within the circle is a black, sparkly pigment made from mica schist. Half of the piece is veiled in red iridescent paint. + Enlarge
Time Will Tell 2021 Acrylic and Mica Schist on Cradled Board 12 x 12"
The background is dark grey and textured with specks of charcoal throughout. Two circles stack on top of each other over an upward facing arc and a small dash made from sparkly brown mica schist. + Enlarge
Home Again 2021 Homemade Charcoal Ink and Mica Schist on Cradled Board 16 x 16"
Three off-white guitar pick shapes made of glass bead gel and sparkly mica schist nearly touch at the tip of each pick, forming a flower shape. Green radiates from the center of the picks and fades into rust ink which extends to the edge of the paper. + Enlarge
It Brought Me You II 2021 Acrylic and Homemade Rust and Serpentine Ink on Paper 25 x 32"
A circle with a watery blend of light blue, grey, and dark yellow with black sparkly rock sprinkled throughout. + Enlarge
Swatch I 2021 Homemade Copper Oxide, Charcoal, and Yellow Ochre Ink on Mat Board
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A light grey circle with a textured, dark grey ring inside the circle. + Enlarge
Swatch II 2021 Homemade Blueberry and Charcoal Ink on Mat Board 5 x 5"
Statement

This work is an exploration of bioregionalism, the practice of familiarizing oneself with the natural elements of a region to have a deeper appreciation for and understanding of its geographical and biological diversity, as well as the history of its human stewardship. The current focus of my own familiarization is the geology of Maryland, specifically common rocks such as mica schist and serpentines. I process these into pigments which I use in the process of paint-making. Likewise, materials such as rust, copper oxide, charcoal, and varieties of plant matter are processed into ink. This area of my practice began in the midst of the pandemic. Hiking around Baltimore and Maryland became extremely important to me as a way to both cope with the loss we collectively feel and to connect to the elements of our natural world which continue to function, apathetic to our gaze.

General Fine Arts (BFA) Students