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In addition to being Director of the Graduate Photographic and Electronic Media program at MICA, Timothy Druckrey also works as a curator, writer, and editor living in New York City.

He lectures internationally about the social impact of photography,electronic media, the transformation of representation, andcommunication in interactive and networked environments. He co-organizedthe international symposium Ideologies of Technology at the Dia Centerof the Arts and co-edited the book Culture on the Brink: Ideologies ofTechnology (Bay Press). He also co-curated the exhibition Iterations:The New Image at the International Center of Photography and edited thebook by the same name published by MIT Press. He edited ElectronicCulture: Technology and Visual Representation and is Series Editor forElectronic Culture: History, Theory, Practice published by MIT Press.These books now include Ars Electronica: Facing the Future,net_condition: art and global media (with Peter Weibel), Geert Lovink's,Dark Fiber, and Future Cinema: The Cinematic Imaginary After Film(edited by Jeffrey Shaw and Peter Weibel), Stelarc: The Monograph(edited by Marquard Smith), Deep Time of the Media: Toward anArchaeology of Hearing and Seeing by Technical Means (SiegfriedZielinski).

Recent exhibitions he has curated include Bits and Pieces, CriticalConditions and co-curated New Media Beijing (2006). He has been GuestProfessor at the University of Applied Art, Vienna (2004) and Richard Koopman Distinguished Chair for the Visual Arts at the University of Hartford (2005).


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